Rameses B: twenty years old, 200 releases and a liquid that eventually made it into Rocket League

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Interviews & portraits

The portrait of UKF looks back over two decades of production: from the PS2 to video game soundtracks, via Monstercat.

The front door

On July 27, 2026, UKF publishes Beyond 20 Years Of Rameses B, an in-depth portrait of British producer Rameses Kevin Booth. The text measures the journey: two well-packed decades, over 200 releases, a signature identifiable from the first measures - that liquid-bass melody that marked an entire generation of Monstercat listeners, then far beyond.

What the portrait tells

A start on PS2. UKF opens with a striking image: Rameses B began producing on a PlayStation 2. Far from polished DAWs - it's total DIY, logic inherited from the tracker, obsession with structure. This kind of starting point doesn't just create a sound: it creates a way of working. You build with what you have, you don't wait to have the "right" equipment to release tracks.

A weighty catalog.No fewer than 200 releases across benchmark labels like Monstercat and… - the portrait cites Monstercat as a flagship label, without exhausting the list. Two hundred releases, that's a rhythm that doesn't belong to the logic of the confidential album: Rameses B has built his anchor in the scene through constancy and presence, track after track, EP after EP.

Rocket League. The anecdote strikes because it situates the artist differently. Scoring bangers for massive multiplatform titles like Rocket League - when we think of DnB as "underground scene music", we forget that part of the current audience discovered the genre through video game soundtracks. Rocket League is a world title; placing a track there means reaching millions of ears that won't necessarily go to a club in London or Manchester.

What it says about liquid

One thing must be stated: liquid is not an "easy" sub-genre. It balances demanding melody, DnB rhythmic construction (breakbeat, rolling drums), and sound writing that doesn't have the right to loud demonstration. Rameses B is one of the producers who made this balance exist beyond the head circle: his tracks work on radio, in video games, in festival sets, in streaming playlists - without denaturing the genre's codes.

To read at UKF

The full portrait is to be read at UKF: we haven't paraphrased the article, we've contextualized it. The text tells the journey, the relationship with labels, the relationship with sound. For anyone who wants to understand how a DnB producer builds a solid career over two decades - without spectacular coup d'éclat but with rare constancy - it's a must-read.

To follow

Rameses B remains active in 2026. We will keep the upcoming releases up to date on the liquid-bass editorial thread. Meanwhile, UKF's portrait is a useful milestone: it sets twenty years of discography and context that few articles take the time to hold together.

Rameses B in three figures

20+ years of activity. 200+ releases. Monstercat as a flagship label cited by UKF.

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BakoInterviewer & portraitist
Jeanne "Jeanne B" Bakayoko conducts long interviews and portraits, both in French and English. A former intern at Kmag, she leads her interviews as conversations.
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