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A melodic EP announced for July 31st, where Cheryl Holland's voice marries Riigs' spatial production. Three tracks, calibrated for the night bus headphones as much as the sweaty basement.
Melodic drum & bass that refuses to choose between song and dancefloor weapon - top lines that rise, atmospheric pads, rolling basslines. The Data Transmission brochure sums up the intention well: it should work on headphones on the nightbus as much as in a sweaty basement.
The exact titles of the three tracks are not mentioned in the press release I have - so no track-by-track, no blind spoilers.
Cheryl Holland is not just a featured vocalist: singer, songwriter, producer, DJ, she founded Glimmer, a brand of alcohol-free raves that had a spot on the BBC's The One Show. The kind of trajectory that tells you right away that she knows what she wants from drum & bass - something that speaks to sober people in the early morning as much as to those on the dancefloor.
Riigs, on the production side, is a melodic head who works on texture rather than noise, space rather than chaos. On a three-track EP, this economy makes sense: the less you fill, the more the little you leave to breathe becomes significant.
A voice-production duo that seems designed to last rather than to blow up once. Solid on paper - I'll reserve the final rating for the system test, but the claimed "song + weapon" alliance is exactly what liquid melodic does when it really works.